Best known
The Signature
€340450 × 320 × 45 mm · 3.4 kg
The scallop mosaic the workshop is known for, closed with a mitred walnut border.
End-grain boards in walnut, cherry, oak and maple. Made in eastern Slovakia, built to order, every one cut and finished by hand at the same bench.
See the collectionLay a plank flat and the blade has to sever the fibres. Stand those same fibres on end and it slips into the gaps between them instead. The wood closes behind it, so the board does not scar and the edge survives the meal.
It is slower to build and more expensive. It also lasts decades.
The fibres stand upright, so the blade goes between them rather than through them. They lean aside, and the moment it lifts they spring back and meet. Nothing was severed, so there is nothing to stay open, which is why a board cut on daily for ten years still reads as one surface.
The same four woods, turned the wrong way. The fibres lie flat, so the blade has to cut the wall of every one it meets. Nothing closes afterwards: the kerf stays open, holds water where it sits, and the edge pays for the whole meal.
The pattern is cut from whatever came off the mill that week, so the mix of light and dark is never repeated. The photographs show the family, not your piece.
All eight pieces
Best known
450 × 320 × 45 mm · 3.4 kg
The scallop mosaic the workshop is known for, closed with a mitred walnut border.
520 × 380 × 50 mm · 5.8 kg
The largest scallop board, with routed side handles and four turned brass feet.
420 × 420 × 90 mm · 11.2 kg
Ninety millimetres thick, in the tumbling-block pattern. Heavy enough that it stays put.
Gift
Board · coasters · care kit
A Signature board, four walnut coasters and the care kit, in the birch presentation box.
Timber comes in as whole boules from Slovak mills, air-dries for a year in the yard, then is cut to order. Nothing leaves the bench until it has been checked flat with a straight edge.
Inside the workshopGluing the block takes an afternoon. Everything after that takes a week.

A brass plate let into the border by hand and filed level with the surface, rather than a mark branded on top of it.

A mitred walnut frame closes the end grain, then every edge is chamfered and sanded through to 320 grit.

Three coats of food-safe mineral oil over four days, sealed with a beeswax and carnauba balm we blend ourselves.
Boards travel in a birch plywood box we cut, assemble and finish in the same workshop, packed in wood wool. The full care kit goes in free with every board — oil, balm and cloth, enough for the first year. About a third of our orders are gifts, so the box was never going to be an afterthought.
Nothing is held in stock. Tell us the size and the pattern, or start from one of the eight.